Review: Invincible “Shapeshifters”

shapeshifters If you ever believed the ugly myth that female emcees cannot hold their own
on the microphone, then you shall be proven wrong when listening to
Invincible’s long-awaited debut album Shapeshifters. In fact, it should
rebuild your faith in dope females pushing even doper masterpieces. For
those unaware of Invincible, she is one of the founding members of
Anomolies, an all-female ensemble consisting of MC’s, DJ’s, B-Girls, and
Graffiti writers. She has reigned supreme in many rap battles. She was also
one of the creative forces behind MTV’s legendary Lyricist Lounge Show. She
also spends her time as a community activist working with LAMP and Detroit
Summer.

For battle emcees to write songs is one thing. But, to craft an album where
the fast-forward and eject buttons are not needed is a totally ballgame.
With topics ranging from gentrification to racism to suicide, she should
never be accused of being one-dimensional. For me to pick a standout track
is rather difficult because it is unfair to choose one without the other(s).

Invincible-Shapeshifters

This impeccable disc opens with State of Emergency. Nevermind the BANG, she
has officially gone out with the BOOM and BLOCKA-BLOCKA. In The Mourning is
a somber song in ¾ time that pays homage to Detroit’s fallen generals Big
Proof (D12) and J-Dilla (Slum Village), acknowledging the impact they both
had in Detroit AND in Hip-Hop. Ransom Notes showcases the Napalm-like
talents of Anomolies. In pure battle mode, she smashes all competitors,
doubters, and muted ears on Sledgehammer, which also uses a J-Dilla sound
bite for the chorus. To close this album out, Locusts, which features
Finale, reveals the often-ignored, ugly horrors of gentrification. The
hard-hitting musical backdrops are superbly executed by Black Milk, Vaughn
T, 14KT, Haircuts, Apex, Djimon, Jayhask, Belief, Waajeed, Knowledge, and

House Shoes, respectively.

Before, Invincible was known as “every A & R’s worst nightmare”. Well, this
album is a true and living testament that she is a “terrorist threat sent to
crash into the feeble music industry, making it collapse.” Two words to
genuinely represent Invincible and the album itself: INDEPENDENCE and
CLASSIC. Grade A

Jeffrey “Dermo” Perdomo of the Underground Railroad

Review: Robot Sneakers “Matchbox Vol. 1”

matchboxPeople that play video games have very wild imaginations that are probably influenced by some of the games that they play. Robot Sneakers shows their video game experience through music with the project Matchbox Vol 1. To give them credit they are trying something different while rapping over production laced with samples from video games and even a porn movie but it is the substance of what they’re saying that comes up short. I must admit, from the artwork of their insert and actual CD I was expecting to be taken to the past the clouds and they managed to only get me down the street. Besides the fact that they like to make video game references while sometimes even rapping off beat, Robot Sneakers has you feeling like you are playing a brand new video game that doesn’t keep you from pressing the reset or power off button quickly. Game Over!

James Cummings of the Underground Railroad